L'analyse musicale aujourd'hui
Music Analysis today
Sous la direction de Xavier Hascher,
Monder Ayari et Jean-Michel Bardez
Collection Pensée Musicale dirigée par Jean-Michel Bardez
Livre en français et anglais / Book in french and english
En 1754, Jean-Philippe Rameau livrait une analyse du monologue d’Armide de Jean-Baptiste Lully, en réponse à la critique de Jean-Jacques Rousseau. L’interprétation des moments de l’invention musicale n’a cessé de se déployer en tous sens au gré de représentations multiples, de questions concernant l’épistémologie, l’herméneutique, les conceptions historiques, la perception, la cognition, les modes de transmission selon les cultures, les processus, les fonctionnalités, les modélisations, la constitution de corpus, la formalisation mathématique, les gender studies, la notion de tonalité, d’atonalité, de modalité, de timbre, l’intérêt persistant pour des analystes plus anciens... À travers ses vingt-trois chapitres aux thèmes variés émanant d’un riche ensemble d’auteurs, cet ouvrage témoigne ainsi des évolutions multiples de l’interprétation du phénomène musical et tente de livrer un aperçu de l’état actuel de l’analyse musicale ainsi que de restituer certaines de ses préoccupations.
In 1754 Rameau produced an analysis of the ‘monologue’ in Lully’s Armide as a defence against Rousseau’s attack on the piece. Since then, analytical interpretations of music have flourished at each stage of its development, both in relation to the changing means of representation and an ever-growing number of interrogations. These concern, for instance, epistemology; hermeneutics; historical conceptions; perception; cognition; culture-related modes of transmission; processes; functionality; modelling; the constitution of musical corpuses; mathematical formalisation; issues of gender; concepts of tonality, atonality or modality; timbre. In the meantime, an ongoing interest in older theorists has also been maintained. The twenty- three chapters that make up this volume, with their wide-ranging topics and the rich, international panel of their contributors testify to the complex evolution and diversity of music analysis, while attempting to draw light on the present situation of the theoretical-analytical field and illuminate some of the current issues that arise in it.
Textes de/by : Jean-Michel Bardez, Xavier Hascher, Jean-Marc Chouvel, Steven Jan, John Z. McKay, Nathalie Hérold, Mikhail Malt, Emmanuel Jourdan, Xavier J.-P. Charles, Marc Rigaudière, Ildar Khannanov, Jill T. Brasky, Richard Cohn, Mondher Ayari, Flavia Gervasi, Elvio Cipollone, Nicole Biamonte, Susan Wollenberg, Hugues Seress, James William Sobaskie, Henri Gonnard, Mart Humal, Antonios Antonopoulos, Jean-François Trubert, Richard Hermann, François-Gildas Tual.
Livre en français et anglais / Book in french and english
In 1754 Rameau produced an analysis of the ‘monologue’ in Lully’s Armide as a defence against Rousseau’s attack on the piece. Since then, analytical interpretations of music have flourished at each stage of its development, both in relation to the changing means of representation and an ever-growing number of interrogations. These concern, for instance, epistemology; hermeneutics; historical conceptions; perception; cognition; culture-related modes of transmission; processes; functionality; modelling; the constitution of musical corpuses; mathematical formalisation; issues of gender; concepts of tonality, atonality or modality; timbre. In the meantime, an ongoing interest in older theorists has also been maintained. The twenty- three chapters that make up this volume, with their wide-ranging topics and the rich, international panel of their contributors testify to the complex evolution and diversity of music analysis, while attempting to draw light on the present situation of the theoretical-analytical field and illuminate some of the current issues that arise in it.
Textes de/by : Jean-Michel Bardez, Xavier Hascher, Jean-Marc Chouvel, Steven Jan, John Z. McKay, Nathalie Hérold, Mikhail Malt, Emmanuel Jourdan, Xavier J.-P. Charles, Marc Rigaudière, Ildar Khannanov, Jill T. Brasky, Richard Cohn, Mondher Ayari, Flavia Gervasi, Elvio Cipollone, Nicole Biamonte, Susan Wollenberg, Hugues Seress, James William Sobaskie, Henri Gonnard, Mart Humal, Antonios Antonopoulos, Jean-François Trubert, Richard Hermann, François-Gildas Tual.
